Subject-Object Fusion & Higher Self-Forgetfulness

ye/Yeat/Yeats on the production of the first image of the 22nd century.

When ye and Djoser think “North”, they’re both thinking about what it will mean to have left. The Step Pyramid of Djoser is a monument to having left,¹ and if ye is Djoser, doesn’t it start to make sense why Disney had Beyoncé play Aida?² Beyoncé and Jay-Z singing in unison “Invan! Tutto e finito.… O terra addio”³ while ye is at the Step Pyramid of Djoser Vultures Listening Experience silently mouthing behind his mask “…I’m not really from earth.”⁴

Is it just coincidence that Yeats’ “Sailed to Byzantium” and Yeat’s “Rich Minion” are both about a golden homunculus? The transformation undergone upon arriving in Byzantium - “Once out of nature I shall never take / My bodily form from any natural thing / But such a form as Grecian goldsmiths make / Of hammered gold and gold enameling” - as mirror image of the same hyper-real transformation that Yeat undergoes becoming embossed with gems “…in every flavor”, posing with the homunculi in production of an image⁵ - “My diamonds glitter / I just pulled up in a Tonka with all of the Minions / We taking a picture”. Since for the Yeats/Yeat/ye triad, “it is the world that can no longer produce the limits of its being”, the world is then “reduced in turn to ‘a pure absorption and resorption surface’ of the self.”⁶ Within the mirror-sheen of this world-of-becoming flux-state, “The absence of a recognizable future changes everything. Without long term agendas, the point of all our practices is bent back to the present. To home. To what you are doing right now.”⁷

When you read the internet as an arcade, you’ll have the same ideas as everyone else at exactly the same time, or, as ye says on Vultures 2: “Post then deleted, I already seen it like three, four times”

When Sierra films herself kissing herself in the mirror to become a fossilized record of an attempt to manifest the image⁸ it’s because it’s the more relevant form of reproduction⁹ - or, as ye would say “I don’t care who you fuck, you a virgin to me”¹⁰ If the future as cybernetics is a manifestation of who had the largest influence on writing as technology, then it makes more sense to be the most proliferate writer than to bear progeny.¹¹ To be the last image left is to be the first image of the 22nd century.

“There was a woman’s glamour magazine with an impossibly glamourous woman on the cover, but inside there were no further pictures of her because even the magazine couldn’t make the impossible happen twice.” (Sadly, Porn p.119)

People only pay attention when the message is negative connotations - a plastic surgeon who specializes in ethnic nose restoration. Clone tulpa in the ‘[redacted]’ egregore. Eeyore sticker at the dialysis place. Sorry because you turned out to be Joan not Ōhōri. Elevator kiss with the Fujiwara bioweapon at a Soho House. She loves it when you decide what her extinction will look like. What pose to make at Nagasaki, at Hiroshima, at Pompeii. The whole fit-as-bodily-state survives to be worn again in the shadows and stone forms. When you tell her you love her body, at Treblinka. When you tell her you love her writings, at Nuremburg. When you tell her you love the way she moves, in the mo-cap suit.

“Uh, I don't pay attention, I don't need attention” - Yeat, King Tonka

In the first Lucien girls’ scene, the real question posed is “How can you be born premature after 9/11?” or how can there be so much going in such a short time? What is it like to have hardly have been on ‘earth’ and only ever as witness to the world-of-becoming? Is it possible to be becoming nothing? Is this the same as when ye says he’s “not really from earth”? In that sense, are any of us from ‘earth’? Or are we nothing but predetermined as pure conjoined self? “Nothin’¹²” but pure conjoined self. It took the child’s review being disclosed to be certain - everyone on the screen is ‘my friend’.

1. No body was found within the tomb upon discovery, due to “extensive robbery”.

2. Her casting announced in 2007 and the film slated for release in 2010, but abandoned.

3. “In vain! All is over…. Oh, farewell Earth.”

4. Inverting Djoser’s leaving into the prophetic future perfect tense - ye’s not really from ‘earth’, or the former world-of-being, and thus has already never had to have left - for the world-of-becoming flux state.

5. Much like Trump becoming embossed with hyper-real blood and posing with his homunculi in production of an image. Will write more on this, as this is a late edit to a draft.

6. Merrin, W. (2021). Hyporeality, the society of the selfie and identification politics. The Journal of Media Art Study and Theory. https://doi.org/10.59547/26911566.2.1.02

7. Bakker, R.S. (2011) . The Post-Posterity Writer (or, How to Write Literature at the End of the World) Three Pound Brain.
https://rsbakker.wordpress.com/essay-archive/the-post-posterity-writer-or-how-to-write-literature-at-the-end-of-the-world/

8. The same image ye and Bianca are trying to manifest, the one Trump may have recently (during the assassination attempt of July ‘24) just manifested, and the final image of the 21st century. The image being footage/fossil produced for a reverse autofictive panopticon, like the film01 stars all filming themselves for him, animated by transcendence.

9. Literally, “I fuck with nothing.”

10. Or, misheard; “You a version of me”.

11. Seeing the future image manifested in the present implies that it will have already happened, thus the possibility of true integration (which is what the fixation on her was repressing anyway) returns as solution against the threat of extinction - the doll and her clone/robot/android/angel out here fr fr seeking concurrent humanity and immortality, on God.

12. “Nothin’” like the several times Olivia says it contracted while saying “I fuck with nothing” repeatedly in the film01 TC/Bianca cut prelude.